“Let's not belabor the point: *After Mathematics* is not a great record; it's not even a good record. Graham Smith (aka Kleenexgirlwonder) the once lauded lo-fi wunderkind, whose terrific early albums won him comparisons to Robert Pollard and charges of egoism usually reserved for artists twice his age, may have finally reached a point so low on the totem pole of pop relevancy that even the fifteen”
