“The back flap of *Yhä hämärää* captures a black interior squinting at green bushes. Framed by the room's torn sun-brightened curtains, small shapes spell out codes on the glass but it's hard to distinguish exactly what's leaving the dim traces. Paavoharju is just as enigmatic. The Finnish trio's yet to accrue much stateside press, and the lack of outside English-language material forces the review”
