“Developing in the LA DIY scene, Hana Vu’s bedroom pop has always suggested there’s something grander to come. On her 2018 EP, Crying on the Subway, and its follow-up, Nicole Kidman/Anne Hathaway, Vu has continued to explore her sound. And while that self-production has been more solid than expansive, it’s incredibly impressive for an artist who was still at the tail end of her teens at the time. ”
“The Los Angeles singer and songwriter’s full-length debut is grandiose and opaque, opting for intricacy over intimacy.”
