“This is her most accessible work yet, with shimmering moments of catharsis sprinkled throughout familiar-sounding (and sometimes forgettable) melodies.”
“Sasami's Blood On the Silver Screen embraces the paradoxical glamour of troubled romance”
“On her third album, the Los Angeles songwriter pivots to pop. When she leans into outsized production and campy hooks, she soars—but more often, her anemic songwriting falters.”
“Sasami Ashworth’s gentle indie rock debut, Sasami (2019), felt reasonably familiar to fans of her previous band, Cherry Glazerr; the bracingly industrial metal of 2022’s Squeeze less so. Now the California musician has moved into sprightly, shiny pop for her third solo album, picking over matters of the heart. And the groin – apparently, Lana Del Rey-alike Nothing But a Sad Face On is about Eve’s ”
