“Last year, The Raveonettes came popping out of Copenhagen with an armload of press-ready gimmicks: a quirky boy/girl rapport, a preoccupation with 1950s, noir-heavy American kitsch, The Jesus & Mary Chain's discography memorized in full, and a 20-minute debut EP recorded exclusively in B-flat minor, without a single track eeking over three minutes long. It was late 2002, and (kudos, *NME*!) the pu”
