“On "The Afterlife," an African-pop-flavored standout from his 12th solo album, Paul Simon describes the wait at the Pearly Gates like it’s a trip to traffic court, all long lines, mumbled excuses and jokey asides. (The narrator even tries to pick up a woman while killing time.) But underneath the mischief are serious concerns. "It […]”
“Still fascinated by old R&B, gospel, and world music, the legendary songwriter here blends them into a laidback, spry pop sound.”
