“On his sophomore album, Post Malone carves out his own niche in the auto-croon field with quality trap production, strong vocal performances, and a bit of a singer-songwriter twist.”
“The second album from the crossover star features a few inarguable pop hits, but Post Malone’s singular, dour mood wears thin and grows stale after too long.”
“Overlong, streaming-friendly albums – The Weeknd’s ‘Starboy’, Drake’s ‘Views’, Migos’ ‘Culture II’ – have become so commonplace that they almost deserve their own classification. More of a stultifying moodboard than an album with something to say, Post Malone‘s ‘beerbongs & bentleys’ is a faded swirl of lean, flexing, custom whips, misogyny and occasionally – mercifully – heartbreak. Bar a few exc”
“Easily his best, and his only real project with a focused identity. Best production of any of his albums, ear worm melodies, solid writing throughout. I miss this era more and more each day. Favs: Paranoid, Rich & Sad, Zack and Codeine, rockstar, Over Now, Better Now, Ball For Me, Stay, Blame It On Me, 92 Explorer, Sugar Wraith Meh: Otherside, Same Bitches”
“Way too loaded an hour of almost all songs talking bout how he got money and do drugs find sum new gng way too long”
