“Fleetwood Mac’s beautiful and terrifically strange 1979 LP, Tusk, poses the question: What happens when love dissipates, and you have to find a new thing to believe in? What if that thing is work?”
“While the music scenes of England, New York City and scattered bohemian enclaves the world over embraced punk's do-it-yourself radicalization in the late Seventies, nearly every superstar of sunny southern California kept on making smooth and glossy soft rock as if Joey Ramone and Johnny Rotten had never happened. This didn't comfort Lindsay Buckingham. The pressure to follow Fleetwood Mac's astro”
