“In his review of Swedish electro duo the Knife's 2006 meisterverk *Silent Shout*, Pitchfork's Mark Pytlik waxed ecstatic about how Olof Dreijer worked his sister Karin Dreijer Andersson's vocals through sickly FX, making her nursery rhyme delivery sound like it was coming from the bottom of a slimy well. But Dreijer's crude palette of old-school electro/techno sounds managed to exert a feeling of ”
