“It's a record for drama queens. Though his songs may have swapped bleeding hearts for bloodied corpses, indiscretion for mortal sin, and lovesickness for whatever fatal disease is doing the rounds, Dan John Miller uses such moments of misery as metaphors for his own state of mind. From the lurching paranoia of "Superstition" to the smashed-glass attack on vanity in "Garbage Picker", the amount of ”
