“Dissolution Grip exists outside of time and place, while deep inside them both. As might be expected given his back catalogue, each of the sounds on KMRU’s latest project started as a location-specific field recording, but were ultimately sculpted and retooled in the image of an orchestra, giving up their origins in the pursuit of beauty. And while their birthplace might have been obscured, the s”
“The prolific Kenyan-born, Berlin-based electronic musician departs from his typical use of field recordings, but environmental sound still makes its mark on his immersive, long-form explorations.”
