“Writing a band’s bio is a very subtle chiseling job: to master it, it’s necessary to balance the most compelling storytelling with fascinating, truer-than-true pieces of information to render an idea of natural talent mixed with the group’s hard work. It’s thus peculiar to learn from Django Django’s official introduction to their latest effort that “several tracks for Glowing in the Dark were wri”
“As slippery to categorise as ever, Django Django’s fourth album is another masterclass in blurring genre boundaries in an unobtrusive but highly effective fashion. Once again, indie song structures are subtly enhanced with clever, deceptive rhythms, propulsive krautrock momentum and splashes of synths. And while the songs on Glowing in the Dark might be less immediate than those on 2018’s Marble S”
“The genesis of Django Django‘s fourth album comes from an old painting drummer and producer Dave MacLean found gathering dust in his parents’ attic. Created by an old art school friend and gifted to MacLean decades ago, the rediscovered painting – a surreal, warped image of an otherworldly landscape featuring a camel, a floating head and more unidentifiable weirdness – spoke to the frontman and co”
“The UK psych-rockers’ pan-genre approach benefits from a little extra curation and fun. As versatile as they are, their stylistic detours eventually feel like overkill.”
“Django Django remain a band with a lot of ideas but are yet to find the focus to deliver”
