“Travis Stewart has bobbed and wove through many styles du jour, but his latest closes the gap between glitch and pop by using Dawn Richard, MeLo-X, and Jesse Boykins III on his euphoric compositions.”
“Stewart's reliance on familiar 'intro/build-up/drop' production structures can at times run repetitive, but his own subtle guitar playing, hyperactive synth pads, mallets and bells make the songs anything but predictable. ”
