“Right at the end of the 28th minute of "The Misprint in the Gutenburg Print Shop", the ambient sprawl that forms the axis of Kinski's third full-length, you can hear some overenthusiastic audience member shout "fuck yeah!" amid assorted cheers and applause. It's not terribly audible, but it's a jarring contrast to the diminutive, steadily tolling bell that brings the piece to a near-silent, plaint”
