“Between 1925 and 1934, Alfred Stieglitz made waves with a series of images he produced by pointing his camera to the heavens. In those years, Stieglitz took hundreds of black-and-white photographs of clouds passing through the sky in various conditions, often without any reference to the horizon. In seeking to capture concrete representations of those inherently fleeting and shapeless forms, with ”
“Inspired by Alfred Stieglitz’ black-and-white photographs of clouds, the Canadian ambient musician reworks piano samples into one of the most monochromatic albums of his career.”
