“You've probably heard Aimee Mann's story a dozen times: how, after releasing albums on Geffen in the 90s, she quickly became dissatisfied with the label's treatment of her records, and soon decided to buy back the tapes for her third full-length, *Bachelor No. 2*, and put it out herself. Just another long-haul pop talent that the majors have signed and then foolishly refused to make time for. So w”
