“Do veteran electronic gnashers the Prodigy dare to drop an album in the Skrillex era? With their usual arsenal of Nirvana-esque riffs all but ineffective in a post-dubstep world, the resilient crew instead swerves hard into digital hardcore noise on their sixth album. They ignore modern EDM conventions almost completely (save a track with "Bass Cannon" gunner Flux Pavilion), opting instead for a h”
“The Prodigy's influence can still be felt through all manner of dance music that is loud, aggressive, and in love with its own transgressions, but on their sixth album, they increasingly sound like a genre of one.”
