“When the mid-90s post-grunge, pre-pop implosion passed with the same painful obviousness as Corey Feldman's transition into manhood, few could have foreseen a time when mining the likes of Superdrag and Kula Shaker would be considered revolutionary or groundbreaking. Herr Schreiber and I used to ease into "120 Minutes" by pounding the hops, laughing at the Eels, and telling ourselves that someday,”